Βιβλιοκρισία: Λίφσιτς, Μιχαήλ. Η φιλοσοφία της τέχνης του Καρλ Μαρξ. Μτφρ. Μαρία Μαντώ Γιαννίκου. Αθήνα: Τόπος, 2018
*Alexandros Daskalakis holds a PhD in Philosophy (Université Paris 1-Panthéon Sorbonne)
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Proletarian Drawing: West German Pedagogy’s Communicative Turn in the 1970s
Abstract This paper argues that the medium of drawing was at the crux of a series of West German pedagogical initiatives calling for radical…
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The Artist as Producer: Towards a New Approach of Artistic Radicalism
Abstract How to approach the interaction of political and artistic radicalism circumventing the limitations of the often sterile reduction to the relationship between party…
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Class Consciousness and the Crowd in American Realist and Socialist Art, c. 1905-40
Abstract Although the nineteenth-century realist aesthetic was essentially bourgeois in its origins, by the early twentieth century it had been widely adopted in the…
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Theories about the Radicality of Contemporary Art, or, what happens when Art History forgets Marxism
Abstract “Contemporary art” is often identified with radicality, a belief based on the perceived as indisputable contemporary reality of alternative multiple narratives, which oppose…
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Ιστορία της τέχνης και πάλη των τάξεων: Μια ανάγνωση
*Nicos Hadjinicolaou is Professor Emeritus of Art History, University of Crete.
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Εισαγωγή: Μαρξιστικές προσεγγίσεις στην ιστορία της τέχνης Χριστίνα Δημακοπούλου
*Christina Dimakopoulou holds a Phd in Art History (Athens School of Fine Arts).
Read MoreThe use of knowledge in society
Translation: Nikos Folinas
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